Wednesday, January 30, 2008

Dustin Williamson and Other Stuff


Lamehouse press says they've sold out of Dustin Williamson's Cab Ass'n, but I think you might get lucky if you stumbled into your local, poetry-friendly bookstore or go to AWP. It is a very good chapbook.

ºªºªºªºªªªººººªºª
Tonight is Mappy Hour, which is a super cool party for all the people involved in MAPP. I love MAPP.

MAPP is this Saturday, and Mumolo and Morgan's event is at L's Caffe on 24th St. between Bryant and Florida in San Francisco. You should come.
ºªºªºªºªºªºªºªºªºªºª

I think people throw around labels a lot. Labels are almost always inaccurate, often quite dangerous, and usually offensive.

For example, I don't think that magazines like Playboy, which unfortunately perpetuate a body image that is unrealistic and perhaps detrimental to young women's psyches, are misogynist. I don't sense any antipathy from these magazines toward women, which is what misogyny means, a hatred of women. I also don't think that such magazines are sexist because they never profess or even suggest an inequality between the sexes. Objectification is something that happens all the time, and we can say that it is harmful, and we can avoid certain magazines or television shows for doing it, but calling them misogynist does little more than provoke eye-rolling, and that just isn't productive.

I think that calling a man who is comfortable with the way things are, with being attracted and/or preferring the stereotypical ideal of beauty, misogynist is akin to right-winger's calling powerful women feminazi man-haters. Just because you're comfortable with the way things are for you does not mean that you have to hate everyone else. There's no reason to

Is it possible to think that women and men are equal when you are comfortable with objectification?

Monday, January 28, 2008

A Lot's Been Goin'n On, and I have no Complaints, but I have a good excuse, and I am sorry.



Hello everyone! My internet has been horrible lately. I have been leaching off a neighbour, and they have had the audacity to install security measures that have left me high and dry.

I want to say that the Sorry for Snake Reading was like, sooooooo, fun. And Logan gave Mumolo and me tons of Transmission goodies, which we liked very much because we love free things, especially free poems. The John Sakkis one had a wonderful cover, and the Jerk poem by Lasky in Small Town was like a brick through my midtown Manhattan window in a snow storm for fun. That means that Mumolo and I loved it. We hope that Logan Ryan Smith will find it in his heart to invite us to his classy, fancy-pants box seats at the next Giants game.

Hillary Gravendyk was wonderful and got the best compliment of her life from a stranger that night, who said she was her new favorite poet. Brenda Hillman was there, and said she thought Hillary was a phenomenal poet. Sara and I loved her reading, and we love her.
ºªºªºªºªºªºªªªªªªªºººººªºªºªªªºªºªªªªºªºººº
MAPP is coming up! February 2! We have a great lineup that I cannot believe. Holy Crap! Jack Morgan and Sara Mumolo have done it again!!!
ªªªºªºªªººººªºªªºº
Also! I designed a new flyer for Nathaniel Mackey's reading for Holloway, which is much more serious now.

Wednesday, January 23, 2008

So you have your poets
and you have your politicians.

Some politicians say
some pretty poetic shit.

They're still,
most the time,

pretty gross.

Monday, January 21, 2008

Hollway: Nathaniel Mackey and Craig Perez

February 7 at 7 PM is when Nathaniel Mackey is coming to UC Berkeley!
315 Wheeler Hall (Maude Fife).
They raffle off a book after the reading; I am not allowed to win it, so you should come and win it because National-Book-Award-winner, Nathaniel Mackey, has some pretty bomb-ass books, yo.

I did the poster. I like it.

Document ... Old New Yipes

Octopus Books put out a chapbook by Ana Bozievic-Bowling called Document, and it a beautiful little thing with a die-pressed cover that opens like a box of treasure. I bought it about a week ago, and at first I was afraid that what was inside the treasure box might not be as good as the box itself. But I've read it a few times now gleefully.

I mean this chapbook really is a treat. Bozievic-Bowling writes about things like nightingales and flowers and holds them next to things like war and and "petite violences" so that the flowers become wars and the nightingales "break the wall of sound." The metamorphosis occurs in a way that is exciting and miraculous because you can't see it coming, but it's the only way things could have gone, so you're just left in awe like a kid at a magic show.

I don't mean to go over the top on this, but I totally loved this chapbook.

You can buy it here if you're interested, which I hope you are.

ªºªºªªªªººªºªºªªªººªºªªª
Last night's New Yipes was bitter sweet. The films by Kota Ezawa and David Berezin were fantastic. There were two about Simpsons, both kinds, but it was a cartoon of O.J., and an absence of Bart and fam. The rest were genius, too. Also, Lauren Gudath read her poetry which was very good and enjoyable. I liked it. But it was David Larsen's last night.

David Larsen, even though I don't think any of his other friends like me, has always been cool with me. I think he is a good person, and I envy his talent. I hope he finds luck and success in his next steps as a scholar and poet and artist. I joke a lot about being a scholar and gentleman, but he really is one, and he'll be missed by many.

Station: Objectification

If you don't like blog rants, click away.

When I was around fifteen, I paid for half of an art class. When I turned twelve, my parents thought I should pay for half of every class I wanted to take. It was a live model drawing class. It wasn't the first class I had taken with a live model, but it was the first with a crazy coke-head
teacher with a long pinky nail, and I think I learned a great deal in that class.

Basically, a nude person would stand in the middle of the class, and we would draw them. It was mostly women, but there were a lot of men, too. Once, the model flaked, and we got the janitor to pose, which is funny because I think that I had the most fun drawing every wrinkle in his blue shirt than I ever did shading the curves of breasts.

Sometimes we would draw every pose in a few lines, sometimes we would only shade the forms. The thing is, what we were learning to do is objectify the human. It wasn't about the person, but the way light hits a person, about the way joints and limbs meet and curve. Sometimes we drew the model for five minutes without looking at the paper, only at the model. . . only at the shape of the model.

There is something about the human body that fascinates artists. Many have theories, and I think I agree with all of them. The female body has especially intrigued artists, and there's nothing wrong with that. Sometimes I would think about what the model thought. I realized that she, they were mostly women, zoned out. . . went to another place, much like I did in my shitty job at the time. I was born with very little to sell. I have my voice and my hands and my brain, and when I can get them all to work together, I can get a job. The model had a body and a disposition that allowed her to sell it. She objectified herself. I objectified her. I spoke a lot with one, and she cued me into much of this.

We are separate from our bodies. My body is that thing that I have to walk around and work out so that it doesn't get cumbersome and annoying. I have to wash it so that it doesn't stink. It helps my brain get around, but my brain is really just dragging it around. I have to feed it and make it feel better. I have to do all sorts of things to make sure my body does not revolt against me. I have always felt that my body is foreign. It isn't so much a part of me as it is something that I have to take care of. An obligation like a pet.

Tonight someone accused me of objectifying women. It hurt my feelings. Anyone who knows me knows that equality of every kind is extremely important to me. I grew up in a way that has left no other thought in my head. But what is wrong with finding women attractive? What is wrong with embracing that which makes me a human male? What is wrong with being a heterosexual male? Nothing beside the fact that everyone has a problem with our culture. I like being a man. I like being a heterosexual man. I like being me. If everyone else would stop having body issues, I would be happy. The women I have had long-term relationships with have all had different body types because I don't see people like they see themselves maybe.

It might sound cliché, but I have broken up with models and strippers because of their personalities, and I have broken up with women whom I thought were geniuses because of their body issues. I just think that our bodies don't matter. Mine hurts. It always hurts. I don't like my body because it demands too much attention. . . I would rather be reading or playing. I hate thinking about my body as much as I hate thinking about money.

I am an animal. Everyone is. The animal in me is interested in the physical. I am all right with that. No one else is. I kind of hate pornography because I cannot stop thinking about the people in them, , , their brains. I can't concentrate on their bodies for long enough to get any pleasure out of it. But what is wrong with concentrating on people's bodies. In the streets or at cafés I am an avid people watcher. I went to art school, and I think about colors and light and lines. I can't tell you what the person was wearing yesterday, but I could tell you about the way the light played with the texture of her coat. The way people move fascinates me. Sometimes, sometimes, sometimes, I notice beauty.

In that art class, I was never aroused. I never felt interested that way in the "beautiful" models, but I don't have a problem with looking at a Playboy centerfold and thinking "hot." Why does everyone else?

Art is objectification. Women do it to men. Men do it to women. We all do it to our emotions and out experiences by turning them into artifacts.
It upsets me very much that some people think that I am sexist. I am not. It hurts me that some people think so. In fact, I am not even going to proof read this because I am just pissed that anyone would feel that way about me.

Sunday, January 20, 2008

New Yipes is Tonight. It's been a while since I've been to a poetry reading, and I am excited about this one.

Death Camp for supe heroes.

Hi, I'm Jack Morgan.
Hi, I am Meredith.
,,,
I am dedicating my life to the study of poetry and Shakespeare in particular.
People read poetry? Shakespeare is, like, soooooo boring.

I've lived as an artist for thirteen years now.
So, you won't ever make any money?
It's feast or famine, really.
Soooo lame.

This is how I imagine picking up a girl at a bar must be like.
I have never picked up a girl at a bar.

At the pub I go to, tonight there was a girl who couldn't stop looking at me, and I couldn't stop looking at her. But, I don't hit on women. I have never hit on a woman. Things happen naturally, and I've never had to meet a stranger, really. Not really.

I guess I should have. While I was thinking of a way to talk to her, another lovely lady bought me a drink, and I ended up spending a lot of time getting to know her. She kind of asked me to go home with her.

I have never bought a girl I don't know a drink at a bar. Girls buy me drinks a lot. And girls are always trying to get me to buy them or their friends drinks. I never comply. I always feel like someone is working an angle on me, playing me. I always feel like a woman is making a fool of me. They make TV shows about how stupid women find men. The only thing women seem to talk about is how stupid men are. My biggest fear is being stupid. I never want to feel stupid, and I always feel stupid. I am a very stupid person

I am saying this only to illustrate my theory that things have come full circle on women. You like to make fun of men and how stupid they are. . . you make fun of their lines and their tactics, so now, you have to buy te drinks, you have to make the first move.

Unfortunately, America being the land of rules, there are rules that fuck everyone up. The small town courtship rituals of the United States has driven m to the breaking point. How am I supposed to meet new people while not being a sleaze ball who hits on women at bars and gyms, another place at which I've never talked to woman I don't know.

A friend of mine said I should have bought Meredith a drink. He said that losers end up alone because they never bought a woman a drink because they were afraid. I think that the forty-year-old silicon valley worker he was talking about is afraid of something a little different than I am, but his example works. Truth is, isn't a drink or a million drinks, isn't being played a million times by a million evil conniving women worth finding the one? My friend says take a chance and find the love of your life. I think he might be right.

But what if I think they're great, and they end up not knowing who (insert incredibly important painter/poet/politician/musician) is?

You're only out five dollars. You might feel like a chump tonight, but you're the one who thinks that the status quo of men is feeling like a chump.

My friend is right.

Saturday, January 19, 2008

Selling Things with Sex


The way you sell cars is by draping a woman over the hoods. Some of the woman's sexiness rubs off on your car, and presto, everyone thinks that cars are sexy. The commodification of women is the same as commodifying anything. You can quantify the value of love now in courts of law and on television. Really, you can quantify and commodify any emotion. The art world has been doing it for years.

Très Sexy!

As a joke, one time, I asked, "what if we do something similar to poetry?"
If there were a way to make poetry a bit more in your face sexy, people would be drawn to it the way they are drawn to pop music. You wouldn't have to change the subjects of your poems, although most poets tend to write about sex now and then anyway. Automobile manufacturers change almost nothing about their cars from year to year. Pop music hardly changes either. Poetry doesn't change much; every movement is just another variation on a theme and a style. But somewhere around T.S. Eliot and Ezra Pound, poetry stopped being sexy and visceral and emotionally charged and dangerous and cool in the eyes of gen. pop., and started being something like homework. Homework is not sexy.

So I started thinking about selling poetry, and I couldn't help but think the idea extremely humorous. Poets don't sell out! The commodification of emotions is just down right wrong. It's degrading to women, and besides, how can you drape a woman over a poem?

When I looked at lingerie catalogues, I noticed that the models look sad and vapid, like their minds are anywhere but in the moment. They look lost. They've worked their bodies into a shape that fits the stereotypical ideal of beauty, and now they've dressed up, and now someone is yelling at them, taking their pictures. The whole idea of fashion models makes me very sad. But fashion shows are exciting, and I find lingerie very sexy. I wanted to see what would happen if I put pictures of women selling the things they're wearing on my poetry blog.

And that's the story behind why I put lingerie pictures on this blog. I think it fits in with the title, Trainwreck. I think it fits in with poetry. It bothers a lot of people, and a lot of people like it. Maybe people who aren't into poetry will buy a poetry calendar someday like they do with power tools calendars.
ªºªºªªºªªªºººººªªªªºªºª
The picture above is my favorite of the ones I've posted.

Friday, January 18, 2008

TONIGHT!!! and K. Silem Mohammad Night

Tonight is SPT's Poet's Theater. I have been looking forward to it. Maybe I will see you there.

•••••••.: • ••• ••: •• •••• .... .. ... ... ... ....

I finished Breathalyzer and two bottles of Cabernet Sauvignon last night. I think it might be my favorite by K. Silem Mohammad. I like almost every poem in the book, and as a book, it works rather wonderfully.

You should buy it.

•••••::::::.........::::::::•••••

Sometimes I think it would be a good idea to read less poetry and read things like manuals on building things.

Thursday, January 17, 2008

Sorry IV Snake


I remember when this happened to Sonja Krauss. I thought it was extremely funny just reading about it. I didn't know someone caught it on film. I am sorry for the snake.

Speaking of Sorry for Snake, I hope that all of you have saved the 24th of January to come to the reading at Pegasus at 7:30. Hillary Gravendyk and Logan Ryan Smith are reading. It's to celebrate the release of the second issue. You should come. No snakes will be there I don't think.

Wednesday, January 16, 2008

ooooh That's Slippery.


This is a picture I took in Hanover of the Market Church. Hanover is almost always grey. When it isn't the skies are the most dramatic I have seen, but they are almost always grey.

This is a poem by Jack Morgan that Venom Literati published.

El Orfanato THE ORPHANAGE

I saw Juan Antonio Bayona’s The Orphanage about an hour ago, and the people I saw it with didn’t like it. I liked it very much. Because of this difference of opinion, I am going to break again with my “no movie” rule on this web log.

“The Orphanage” is a psychological thriller reminiscent of the original “The Haunting,” which was also born outside the US. It incorporates several aesthetic elements that have proven themselves useful in the genre along with a couple other tricks. It isn’t as gory or as grating as most of “Pan’s Labyrinth,” but it has a sense of claustrophobia and limited line of sight that everyone loved in “Pan’s Labyrinth” and, if you will, the first “Die Hard.” People are afraid of not being able to move around. So, when the protagonist stays around when she doesn’t have to, it’s thrilling.

One might say that these elements make the story predictable, but the movie is not about making you jump when the monster springs onto frame; it’s about allowing the audience to invest in the main character so that, even though you know when you’re going to be scared, you’re still surprised. It incorporates many things that feel familiar, but that’s part of the whole heimlich vs. unheimlich thing. Making the familiar strange and the strange familiar is something “The Orphanage” is quite good at.

It’s a puzzle movie, like its cousin, “The Others,” but rather than giving you a big money shot in the end, it lets you solve the puzzle moments before the protagonist does. You see the clues first, you understand them first, you want to scream at the person on the screen to help her get out of the box she’s in, to help her out of the labyrinth. Pan’s labyrinth.

And its failures are like those of “Pan’s Labyrinth.” It has the heavy-handed dialogue explaining what you already know, the forced happy ending where you know there really isn’t one. Guillermo Del Torro produced it, and perhaps he brought a little more cons than pros to the table on this one. People always forget that he directed "Hell Boy" and "Mimic." But it also has all of "Pan's Labyrinth"'s triumphs. You care about the characters, you’re pulled into spaces you wouldn’t want to go, you believe in a fantasy world for a couple of hours. This time, miraculously I think, from the eyes of an adult.

Telling the story from the adult’s point of view is a little ballsy, especially since we’ve all seen how successfully frightening films are when the camera is the eyes of a child or a helpless adolescent female. This story features a strong, grown up woman played by Belen Rueda, who calls the cops, and who the cops listen to. It’s refreshing to watch a smart woman do smart things on film. Movies are seldom kind to women.

Ultimately, “The Orphanage” is a haunted house movie. It has everything you’ve come to expect from a haunted house movie. But I’ve ceased expecting film makers to reinvent the wheel every time they say action. If they can intelligently approach something I know I already like, that’s more than enough for me.

Tuesday, January 15, 2008

Night Flight



Night Flight
by Jack Morgan

Twisted her ankle
on New Year’s North Beach
so that she floated more
like a wounded bat
than a downy bay
barn owl.

As graceful as a twelve-year-old
running in her mother’s heels
down rainy hills
in morning fog
to the sound
of young pigeons.

Monday, January 14, 2008

Ancient Fatalism

Jack Morgan, Hanover Gernany, ca. 2000 CE.

Lately, for some reason, I have been thinking about old things. I mean to say that I have been more keenly aware of my age than usual. Someone held my age against me a little while ago. I am hiking thirty. I am very nearly thirty. I don't often think about that.

I went on a few dates with a person I thought I was really clicking with, but she was a bit older than I. I never ask people their ages. I think it is an inappropriate number by which to judge a person. In fact, I cannot think of an appropriate number by which to judge people. Numbers. People are always trying to judge each other with numbers.

So, I have been thinking of my history. I've been a lot of places and done a lot of things. I've seen a lot. People are always surprised. Read a lot, too. But none of that matters when it comes to your year count. I feel like there is a great deal more to do. There are many second chances I'd like to have. I feel like I haven't accomplished nearly enough. When you're counting years it feels like you've done a lot and almost nothing at the same time. It makes me think of how much time I have let.

I've never thought that I would live as long as the government says you should. And when ages are mentioned it reminds me of a crappy childhood , a series of failed attempts at love, a pervasive loneliness, and the fact that it's almost over.

Sunday, January 13, 2008

Salt Paste


People look pastey in winter. I love winter nonetheless, as long as it knows when to come and go.

David Larsen just decided it was time for him to go. He bowed out of New Yipes, which I find quite sad. I like David Larsen very much, his work and his person inspire. I will miss him.

New Yipes comes again next Sunday, and I am sure he'll be surrounded by teary-eyed peeps. The salt from their tears will dehydrate their faces, making them even more pastey.

There's a lot going on at the end of winter in poetry. Jan 24 is the Sorry IV Snake reading at Pegasus. Feb 2, Mumolo and Morgan are putting on a new MAPP at a location TBA.

Mumolo took a picture of me with her iPhone. Sorry about the pastiness, but I am not much more than a patsy.

Thursday, January 10, 2008

Good Omens

I love mariachis. I took this picture in Mexico ten years ago. I've traveled a lot in Mexico. Mexico is one of my favorite places on the planet for numberless reasons. But mariachis are one of them.

ªºªºªºªªªªºªªªººªªºªºªºª
Today, I took The Haunting of Ninja Town to the post office. It's on its way now to Colorado. The contest deadline is tomorrow. I got there just in time. An old lady couldn't open the door, so I opened it for her, and everyone thanked me and thought I was a nice person. They closed and locked the door behind me. I was in good spirits.

As I walked out of the parking lot, I saw none other than Lyn Hejinian across the street. She was like a eagle flying low over Alexandria. A good omen. Lyn said she loved Ninja Town a few months ago. Maybe Martha Ronk will like it, too. Who knows? But I think it was a good sign to see Lyn Hejinian right after mailing it off. I didn't say hi, as much as I wanted to, because I didn't want to jinx it. Like an albatross: don't fuck with good omens.

Tuesday, January 8, 2008

The Bay Wolf

The Bay Wolf's website is a little thin, but what the founding member says about it is nice.

I thought Bay Wolf would be cool because of its name. Mumolo and I were driving around looking for a place to eat, and the name reminded me of Beowulf which reminded me of Jenny Drai, and with that many poetic connections at once, how could we eat anywhere else?

Their seasonal menu features delicious vegetarian options. I would go into each dish, but I think that it changes fairly regularly. It was so good, though, that we shared everything. Also, their Bay Wolf Noir was a good table wine well worth the money. The Bay Wolf's reasonably priced, and their patio is heated and raised off the street, so it feels a bit more isolated than its piedmont compatriots.

The service is polite and friendly and deserving of a the biggest tip you can afford.

You should go there when you're looking for a nice place to eat.

Monday, January 7, 2008

Wires and Words


Everyone is saying that The Wire is the best writing on television. I agree with everyone. I finally caved and started watching the show on DVD, and it is quite brilliant, I must say. I am already on season 3.

The dialogue is so spontaneous and realistic that I cannot believe a person actually wrote it.

The camera work makes me want to go to Baltimore just to see it with my own eyes.

The wire also makes me want to change the way I speak. Poetic verse makes one want to change the way one speaks. Who hasn't wanted to speak like Henry V? And I am not talking about the slang. Anyone with a slang dictionary and a Busta Rhymes album can figure out how to talk like an East Coast urban urchin, but the rhythm and speed with which the people speak on The Wire is very interesting to me.
·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·‚·
The picture above is not of Baltimore; it's Karlsruhe. I used to live there. It's taken with a Lomo I bought in Vienna. There is a pyramid in the middle of the city wherein its founder is entombed. Washington DC borrows its layout from this circular town. I used to sit by the fountains--there are numberless fountains--late at night and write. It was hard to find other poets there.

Friday, January 4, 2008

Captain's Log


To those of you who have noticed my absence, thank you.
Things have been great. Without much poetry stuff going on, I have been able to pick up the pieces of what I have left of a life and do some really nice things, like looking up obscure facts on Wikipedia.

New Year's Eve remains my favorite holiday. It is the only one I celebrate, if you didn't know. I went with a large group of friends to the embarcadero in San Francisco and watched the fireworks over the Bay Bridge. Then I met a cool new person who was wounded but happy. I am always afraid that new people will read my poetry somewhere or google me and think that I am weirder than I am.

Last night, in order to fill the poetic void, we had a living room reading. Poets brought work and wine, and we all shared, and we all cared, and we all thought about important things and pretended to be important, too.

There are many plans for 2008. It is looking like it will be a fantastic year. The first plan is the Sorry for Snake reading happening at Pegasus this month, 24 January, starring a great friend and poet, Hillary Gravendyk and a poet whose work I've only just now discovered and like very much, Logan Ryan Smith.

I am going to New York for AWP and to see friends right after the reading. How cool is that?

So, happy New Year. I hope that you will come to the Sorry for Snake reading, and I hope that you meet your new goals and/or resolutions, and I hope that no one thinks you're a weirdo just because you're an artist.